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空间设计中——逻辑缺失与现实

2020/9/15 3:22:30 来源:喜色商业设计 浏览:

Project | 1WOR旗舰店

Location | 中国深圳

Designer |DOMANI首席设计师ANN YU

本期设计案例,给大家分享中国原创服装品牌1WOR在深圳的店铺。DOMANI的首席设计师Ann Yu讲述了1WOR旗舰店在中国深圳的设计灵感:通过引入解决问题的数学方法和理性的运用,理性主义和逻辑吸引了她小时候的心。后来,对立面的超现实主义和立体主义的艺术运动吸引了她。在这家零售店中,Yu的灵感来自20世纪上半叶最有影响力的艺术家之一-巴勃罗·毕加索。在这个项目中,她既运用逻辑的缺失又运用逻辑的实现,为中国时尚品牌创造了一个引人注目的空间。1WOR将自己定位为全球设计品牌,因此必须强调价格适中的豪华感以反映该品牌的身份。Domani在一个有问题的空间中工作,需要在有限的预算内支持一系列产品展示和相关功能。

In this design case, I will share with you the store of China's original clothing brand 1WOR in Shenzhen. The chief designer of DOMANI, Ann Yu, described the design inspiration of the 1WOR flagship store in Shenzhen, China: by introducing mathematical methods to solve problems and the use of rationality, rationalism and logic attracted her childhood. Later, opposite art movements of surrealism and cubism attracted her. In this retail store, Yu was inspired by one of the most influential artists in the first half of the 20th century-Pablo Picasso. In this project, she uses both the lack of logic and the realization of logic to create a compelling space for Chinese fashion brands. 1WOR positions itself as a global design brand, so it must emphasize the sense of luxury at a moderate price to reflect the identity of the brand. Domani works in a problematic space and needs to support a range of product displays and related functions within a limited budget.






随风而行,设计团队采用了传统的设计方法,拥抱了安于(Ann Yu)对非常规的热爱,同时实施了基于逻辑推理的空间设计。“我们放弃了二维业务计划显示的过渡逻辑,回到了这个有角度的空间。空间轮廓被用作设计的基础,并通过折叠平面图以在空间中创建新的二维序列来生成循环线,创建了看起来像是基于灵感但实际上是基于逻辑创造的空间设计。”于说。

Following the wind, the design team adopted traditional design methods, embraced Ann Yu's love for unconventional, and implemented spatial design based on logical reasoning."We abandoned the transitional logic shown in the 2D business plan and returned to this angled space. The outline of the space was used as the basis for the design, and the cycle line was created by folding the plan to create a new 2D sequence in the space. It looks like a space design based on inspiration but actually based on logic creation." Yu said.







墙壁的颜色从地板到天花板都在运转,形成了渗透并穿透空间的色块。镇定自如的鲑鱼粉红沿着地板和墙壁穿行。柔和的柔和色彩与别致的灰色墙壁和天花板形成鲜明的对比。黄铜长方体展示柜配有以几何形式延伸的精美黄铜棒。这些杆用于悬挂衣服或与简单的圆形圆盘融合以充当展示台。

The color of the walls is running from the floor to the ceiling, forming a color block that penetrates and penetrates the space. The calming salmon pink walks along the floor and walls. The soft pastel colors contrast sharply with the chic grey walls and ceiling. The brass cuboid display cabinet is equipped with exquisite brass rods that extend geometrically. These rods are used to hang clothes or blend with simple circular discs to serve as display stands.






这一切听起来像是该空间中令人惊叹的雕塑装置。即使杆通过完美的圆形孔完美无缺地插入天花板结构的方式,就好像它们一直持续下去一样,也是例外。于说:“架子和主要支柱是牢固的正交几何形状,由圆形,矩形和不同的线条组成,并且它们的组织结构略有倾斜。”

All this sounds like an amazing sculptural installation in the space. Even if the rods are inserted flawlessly into the ceiling structure through perfect circular holes, as if they were going on forever, it is an exception. Yu said: "The shelves and the main pillars are solid orthogonal geometric shapes, consisting of circles, rectangles and different lines, and their organizational structure is slightly inclined."




大大小小的圆形镜子通过黄铜棒连接在一起,这是新艺术运动时期的当代风格。镜子被用来创建消失点,插入天花板空间,随机地反射人和图像-本质上,以与毕加索相同的方式操纵现实。“顶视图由天花板平面图和书架系统的镜面反射,可控制的控件,可组织的组织以及不受控制和无结构的部分随机存在于空间中构成,这可能是最合理的方法 程序。”于说。

Large and small circular mirrors are connected together by brass rods, which is a contemporary style during the Art Nouveau period. Mirrors are used to create vanishing points, insert into the ceiling space, randomly reflecting people and images-essentially, manipulating reality in the same way as Picasso. "The top view consists of the specular reflection of the ceiling plan and the bookshelf system, controllable controls, organizeable organization, and uncontrolled and unstructured parts that randomly exist in the space. This may be the most reasonable method." Yu said .



这是最简单的设计,经过精心策划。从几何黄铜杆和镜子雕塑到降低和升高天花板高度的示例性使用,再到色彩的应用……一切都如此。

This is the simplest design, carefully planned. From geometric brass rods and mirror sculptures to the exemplary use of lowering and raising the ceiling height, to the application of colors... everything is so.

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